The initial idea was visualising Stanisław Lem’s idea of all forms of intelligence in the universe being forever beyond each other’s comprehension and capacity to communicate, despite being based on the same simple universal physical processes.

The neccesities of the live visuals format meant the first experiments were stripped back to better suit the stage environment. Starting as pulsing spotlights that replicate across the stage, eventually the performers are enveloped in an infinite fractal grid of glittering points.

A series of visuals designed to be projected accross the whole stage and the performers themselves when live video processing wasn’t feasible.